Melisa Elif Gerecci
megerecci@gmail.com
Instagram


Gerecci uses drawing, printmaking, and sculpture to tell stories through interventions and experimental narrative structures. Her work is held by the Watson Library at The Metropolitan Museum of Art, the Fine Arts Library at The university of Texas at Austin, and the Special Collections of the Newark Public Library. 





Education
NYU School of Law
JD
2009

The University of Texas at Austin
BA (Plan II)
2005





Public Commissions
The CookBook LookBook Calendar Project, with support of The Andy Warhol Foundation for Visual Arts

City Feast, Audible, Innovation Cathedral, Newark, New Jersey

Signal Ahead, East Coast Greenway, Metuchen, NJ





 Group Shows
2025 (upcoming)
Less Is Always More
Fl!ght Gallery
San Antonio, Texas

2025
Chateau Chateau
Aldredge House
Dallas, Texas

2025
Culture in Translation
Dallas College Show
Mexico City, Mexico

2024    
La Familia Printshop Member Show
Norman Brown Gallery
Dallas, Texas

2023    
Cross-Cultural Perspectives
Newark Museum of Art
Newark, New Jersey

2023    
Vignette Art Fair
Market Hall
Dallas, Texas

2023    
Works on Paper
The Newark Public Library Special Collections

2023    
Postcards from the Edge
Visual AIDS, Ortuzar Projects
New York, New York

2023    Bloom! Gallery Aferro Annual Gala, Newark, NJ

2022    Artful Healing, Newark Museum of Art, Newark, NJ

2022    Now is Right Here, Gallery Aferro Annual Gala, Newark, NJ

2021    Build Your Own God and Other Ideas for a Kinder World, Artshack, Brooklyn, NY

2021    Creative Resilience, Newark Arts Festival, Newark, NJ

2021    Welcome Back to the World, Index Art Center, Newark, NJ

2020    Pushing the Envelope, Pulp Gallery, Mount Holyoke, MA 

2019    Green Zine Fair, Baxter Street at the Camera Club of New York, NY





Select Publications
2023    How to Play, Whitehot Magazine

2023    NEW EWR: Art at the Airport, Newarker Magazine

2021    Clothes Up and Personal: Portraits of Four Fashion Designers, Newarker Magazine   

2020    The Streets will be Empty this Good Friday, The Star-Ledger  




Cantaloupe Horse
Semper augue egestas,
Fusce, Sed ut–Enim et, 1995
Eros Purus
Etiam Feugiat
Ipsum: Nullam Libero
Diam Elit Vestibulum, Neque
1989
Justo Massa
Auctor magna
Donec Vivamus 120 x 150 x 150 cm Ipsum: Vestibulum Laoreet
1983
Nullam Vitae
Tellus Magna sed Dictum lacinia Laoreet Donec sed vivamus eleifend magna ipsum, nisi magna cursus sed amet.
Vestibulum: 130.00 x 51.00 cm
1972
Enim Dolor
Donec Cum-Nunc Turpis
Donec
61 × 8.9 × 8.9 cm
1958
Mortem Fusce
Sed Velit
Donec ipsum, nunc, sed, et nisi
Mauris Vestibulum
Nisi Et Sit Nam Ipsum Tellus
Fusce Massa lorem ad augue
1987
Cursus Magna
Dolor ut
Tincidunt Lacinia Aliquam Vestibulum
Massa Augue
Mortem et Vivamus
Donec ipsum, 1985
225 x 120 x 350cm
Nulla Nullam
Augue
Malesuada
15 x 26 x 197cm
1967
Etiam Vitae
Nulla et sed Laoreet
1984
Tempus Laoreet
accumsan fusce
Dictum Curabitur at Eleifend Lacinia
2017
Amet Dolor
Neque - Illume Faccum
Quo element magna fugit
1960
Maximus Enim
Quam Nulla Voluptas Neque Omni Ipsum (Qui ipsum unbesteigbaren Neque)
Tempor dolore, laborum: consequat 2 3/4 inches
1984
Dolor Ipsum vel Magna Velit
Quame Nulla Laborum
Magna media ullamco
Variable dolorem
1985
Maximus Enim
Quo Rerum Corporis (Aut Auctor Facere)
Numquam, ipsum voluptas, neque
11 ½ × 5 ¼ × 13 feet
1988
Laborum Neque
Gelose-Aliqua
Dolorem, Wax, Commodo Porro
20 cm x 35 cm x 35 cm
1969
Quis: Magna Exceptur
Amet Dolor
Maximus (Dolore Enim)
68 7/8 x 31 x 31 in
1959
Amet Dolor
Incidunt
Lorem (nostrud sed magna)
91 × 91 × 91 cm
1981
Nullam Vitae
Tellus Magna sed Dictum lacinia Laoreet
Donec sed vivamus eleifend magna ipsum nisi magna cursus sed amet
Vestibulum: 130.00 x 51.00 cm
1972
Maximus Enim
Quame Dolor/Ullamco
1987
Dolor Ipsum vel Magna Velit
Commodo velit
Magna Ipsum Laborum,
Commodo, May 5–July 29
1995

Perspiciatis Incididunt
Quidem aut Accusamus sit enim Nostrud
Commodo velit sit enim P.S. 1 excepturi
October 2–November 27
1988